There are so many things for you and your family to see and do in and around the picturesque Shire of Collie. Search for events that interest you by using the categories to filter the calendar, or navigate to the dates that suit you, or subscribe to our weekly e-newsletter, Whispers from the Valley, to get events delivered straight to your inbox. Email whispers@collierivervalley.com.au to find out how to promote your event.
Dec
22
Fri
2017
Removing the Traces Opening Night @ Collie Art Gallery
Dec 22 @ 6:00 pm – 8:00 pm
Removing the Traces Opening Night @ Collie Art Gallery | Collie | Western Australia | Australia

Join us for the opening of a very special selection of works from the collection of Janet Holmes a Court.

This exhibition presents intriguing aspects of south-west landscape from the Janet Holmes à Court Collection. The works included individually demonstrate varying degrees and methods of abstraction e.g. ultra-simplification, gestural and expressive brushwork, flattening of the picture surface and saturated colour, whilst maintaining the formal principles of line, form, shape, value, movement and composition. The real subjects recede and the aesthetics become the dominant factors.

Within this abstract landscape of the exhibition, there are interjections of reality – ‘real’ trees and wildflowers. Important that these remain in the space as reminders because it seems to me that we are busy still doing our best to remove forests and flora as fast as industry and developers can manage it. Prudent to slow down and think about the reality we’ll be left with.

Also occurring occasionally in the exhibition are demonstrations of Aboriginal longstanding presence. Removing the traces of the reality of aboriginal presence and ownership of country was pretty easy to do under the legal mandate of terra nullius. This was followed up by forced dispossession, imprisonment, extermination, assimilation and suppression of truth. A deliberate and sustained abstraction of our history took place. We managed to remove all traces of a particular reality and maintained only the essentials of the history suited to our purposes. These days, ever so slowly, the reality of this history is being reconstituted.

The purpose of this exhibition is to share some significant and captivating abstract works from the collection, works representing the essence of land, forest and water. I hope I’ve created a calm and meditative space which gives room for reflection.

 

Sharon Tassicker

Collection and Exhibitions Manager

Janet Holmes a Court Collection

Dec
23
Sat
2017
Removing the Traces exhibition @ Collie Art Gallery
Dec 23 @ 10:00 am – 4:00 pm
Removing the Traces exhibition @ Collie Art Gallery | Collie | Western Australia | Australia

This exhibition presents intriguing aspects of south-west landscape from the Janet Holmes à Court Collection. The works included individually demonstrate varying degrees and methods of abstraction e.g. ultra-simplification, gestural and expressive brushwork, flattening of the picture surface and saturated colour, whilst maintaining the formal principles of line, form, shape, value, movement and composition. The real subjects recede and the aesthetics become the dominant factors.

Within this abstract landscape of the exhibition, there are interjections of reality – ‘real’ trees and wildflowers. Important that these remain in the space as reminders because it seems to me that we are busy still doing our best to remove forests and flora as fast as industry and developers can manage it. Prudent to slow down and think about the reality we’ll be left with.

Also occurring occasionally in the exhibition are demonstrations of Aboriginal longstanding presence. Removing the traces of the reality of aboriginal presence and ownership of country was pretty easy to do under the legal mandate of terra nullius. This was followed up by forced dispossession, imprisonment, extermination, assimilation and suppression of truth. A deliberate and sustained abstraction of our history took place. We managed to remove all traces of a particular reality and maintained only the essentials of the history suited to our purposes. These days, ever so slowly, the reality of this history is being reconstituted.

The purpose of this exhibition is to share some significant and captivating abstract works from the collection, works representing the essence of land, forest and water. I hope I’ve created a calm and meditative space which gives room for reflection.

 

Sharon Tassicker

Collection and Exhibitions Manager

Janet Holmes a Court Collection

Dec
24
Sun
2017
Removing the Traces exhibition @ Collie Art Gallery
Dec 24 @ 10:00 am – 4:00 pm
Removing the Traces exhibition @ Collie Art Gallery | Collie | Western Australia | Australia

This exhibition presents intriguing aspects of south-west landscape from the Janet Holmes à Court Collection. The works included individually demonstrate varying degrees and methods of abstraction e.g. ultra-simplification, gestural and expressive brushwork, flattening of the picture surface and saturated colour, whilst maintaining the formal principles of line, form, shape, value, movement and composition. The real subjects recede and the aesthetics become the dominant factors.

Within this abstract landscape of the exhibition, there are interjections of reality – ‘real’ trees and wildflowers. Important that these remain in the space as reminders because it seems to me that we are busy still doing our best to remove forests and flora as fast as industry and developers can manage it. Prudent to slow down and think about the reality we’ll be left with.

Also occurring occasionally in the exhibition are demonstrations of Aboriginal longstanding presence. Removing the traces of the reality of aboriginal presence and ownership of country was pretty easy to do under the legal mandate of terra nullius. This was followed up by forced dispossession, imprisonment, extermination, assimilation and suppression of truth. A deliberate and sustained abstraction of our history took place. We managed to remove all traces of a particular reality and maintained only the essentials of the history suited to our purposes. These days, ever so slowly, the reality of this history is being reconstituted.

The purpose of this exhibition is to share some significant and captivating abstract works from the collection, works representing the essence of land, forest and water. I hope I’ve created a calm and meditative space which gives room for reflection.

 

Sharon Tassicker

Collection and Exhibitions Manager

Janet Holmes a Court Collection

Jan
4
Thu
2018
Removing the Traces exhibition @ Collie Art Gallery
Jan 4 @ 10:00 am – 4:00 pm
Removing the Traces exhibition @ Collie Art Gallery | Collie | Western Australia | Australia

This exhibition presents intriguing aspects of south-west landscape from the Janet Holmes à Court Collection. The works included individually demonstrate varying degrees and methods of abstraction e.g. ultra-simplification, gestural and expressive brushwork, flattening of the picture surface and saturated colour, whilst maintaining the formal principles of line, form, shape, value, movement and composition. The real subjects recede and the aesthetics become the dominant factors.

Within this abstract landscape of the exhibition, there are interjections of reality – ‘real’ trees and wildflowers. Important that these remain in the space as reminders because it seems to me that we are busy still doing our best to remove forests and flora as fast as industry and developers can manage it. Prudent to slow down and think about the reality we’ll be left with.

Also occurring occasionally in the exhibition are demonstrations of Aboriginal longstanding presence. Removing the traces of the reality of aboriginal presence and ownership of country was pretty easy to do under the legal mandate of terra nullius. This was followed up by forced dispossession, imprisonment, extermination, assimilation and suppression of truth. A deliberate and sustained abstraction of our history took place. We managed to remove all traces of a particular reality and maintained only the essentials of the history suited to our purposes. These days, ever so slowly, the reality of this history is being reconstituted.

The purpose of this exhibition is to share some significant and captivating abstract works from the collection, works representing the essence of land, forest and water. I hope I’ve created a calm and meditative space which gives room for reflection.

 

Sharon Tassicker

Collection and Exhibitions Manager

Janet Holmes a Court Collection

Jan
5
Fri
2018
Removing the Traces exhibition @ Collie Art Gallery
Jan 5 @ 10:00 am – 4:00 pm
Removing the Traces exhibition @ Collie Art Gallery | Collie | Western Australia | Australia

This exhibition presents intriguing aspects of south-west landscape from the Janet Holmes à Court Collection. The works included individually demonstrate varying degrees and methods of abstraction e.g. ultra-simplification, gestural and expressive brushwork, flattening of the picture surface and saturated colour, whilst maintaining the formal principles of line, form, shape, value, movement and composition. The real subjects recede and the aesthetics become the dominant factors.

Within this abstract landscape of the exhibition, there are interjections of reality – ‘real’ trees and wildflowers. Important that these remain in the space as reminders because it seems to me that we are busy still doing our best to remove forests and flora as fast as industry and developers can manage it. Prudent to slow down and think about the reality we’ll be left with.

Also occurring occasionally in the exhibition are demonstrations of Aboriginal longstanding presence. Removing the traces of the reality of aboriginal presence and ownership of country was pretty easy to do under the legal mandate of terra nullius. This was followed up by forced dispossession, imprisonment, extermination, assimilation and suppression of truth. A deliberate and sustained abstraction of our history took place. We managed to remove all traces of a particular reality and maintained only the essentials of the history suited to our purposes. These days, ever so slowly, the reality of this history is being reconstituted.

The purpose of this exhibition is to share some significant and captivating abstract works from the collection, works representing the essence of land, forest and water. I hope I’ve created a calm and meditative space which gives room for reflection.

 

Sharon Tassicker

Collection and Exhibitions Manager

Janet Holmes a Court Collection

Jan
6
Sat
2018
Removing the Traces exhibition @ Collie Art Gallery
Jan 6 @ 10:00 am – 4:00 pm
Removing the Traces exhibition @ Collie Art Gallery | Collie | Western Australia | Australia

This exhibition presents intriguing aspects of south-west landscape from the Janet Holmes à Court Collection. The works included individually demonstrate varying degrees and methods of abstraction e.g. ultra-simplification, gestural and expressive brushwork, flattening of the picture surface and saturated colour, whilst maintaining the formal principles of line, form, shape, value, movement and composition. The real subjects recede and the aesthetics become the dominant factors.

Within this abstract landscape of the exhibition, there are interjections of reality – ‘real’ trees and wildflowers. Important that these remain in the space as reminders because it seems to me that we are busy still doing our best to remove forests and flora as fast as industry and developers can manage it. Prudent to slow down and think about the reality we’ll be left with.

Also occurring occasionally in the exhibition are demonstrations of Aboriginal longstanding presence. Removing the traces of the reality of aboriginal presence and ownership of country was pretty easy to do under the legal mandate of terra nullius. This was followed up by forced dispossession, imprisonment, extermination, assimilation and suppression of truth. A deliberate and sustained abstraction of our history took place. We managed to remove all traces of a particular reality and maintained only the essentials of the history suited to our purposes. These days, ever so slowly, the reality of this history is being reconstituted.

The purpose of this exhibition is to share some significant and captivating abstract works from the collection, works representing the essence of land, forest and water. I hope I’ve created a calm and meditative space which gives room for reflection.

 

Sharon Tassicker

Collection and Exhibitions Manager

Janet Holmes a Court Collection

Jan
7
Sun
2018
Removing the Traces exhibition @ Collie Art Gallery
Jan 7 @ 10:00 am – 4:00 pm
Removing the Traces exhibition @ Collie Art Gallery | Collie | Western Australia | Australia

This exhibition presents intriguing aspects of south-west landscape from the Janet Holmes à Court Collection. The works included individually demonstrate varying degrees and methods of abstraction e.g. ultra-simplification, gestural and expressive brushwork, flattening of the picture surface and saturated colour, whilst maintaining the formal principles of line, form, shape, value, movement and composition. The real subjects recede and the aesthetics become the dominant factors.

Within this abstract landscape of the exhibition, there are interjections of reality – ‘real’ trees and wildflowers. Important that these remain in the space as reminders because it seems to me that we are busy still doing our best to remove forests and flora as fast as industry and developers can manage it. Prudent to slow down and think about the reality we’ll be left with.

Also occurring occasionally in the exhibition are demonstrations of Aboriginal longstanding presence. Removing the traces of the reality of aboriginal presence and ownership of country was pretty easy to do under the legal mandate of terra nullius. This was followed up by forced dispossession, imprisonment, extermination, assimilation and suppression of truth. A deliberate and sustained abstraction of our history took place. We managed to remove all traces of a particular reality and maintained only the essentials of the history suited to our purposes. These days, ever so slowly, the reality of this history is being reconstituted.

The purpose of this exhibition is to share some significant and captivating abstract works from the collection, works representing the essence of land, forest and water. I hope I’ve created a calm and meditative space which gives room for reflection.

 

Sharon Tassicker

Collection and Exhibitions Manager

Janet Holmes a Court Collection

Jan
8
Mon
2018
Removing the Traces exhibition @ Collie Art Gallery
Jan 8 @ 10:00 am – 4:00 pm
Removing the Traces exhibition @ Collie Art Gallery | Collie | Western Australia | Australia

This exhibition presents intriguing aspects of south-west landscape from the Janet Holmes à Court Collection. The works included individually demonstrate varying degrees and methods of abstraction e.g. ultra-simplification, gestural and expressive brushwork, flattening of the picture surface and saturated colour, whilst maintaining the formal principles of line, form, shape, value, movement and composition. The real subjects recede and the aesthetics become the dominant factors.

Within this abstract landscape of the exhibition, there are interjections of reality – ‘real’ trees and wildflowers. Important that these remain in the space as reminders because it seems to me that we are busy still doing our best to remove forests and flora as fast as industry and developers can manage it. Prudent to slow down and think about the reality we’ll be left with.

Also occurring occasionally in the exhibition are demonstrations of Aboriginal longstanding presence. Removing the traces of the reality of aboriginal presence and ownership of country was pretty easy to do under the legal mandate of terra nullius. This was followed up by forced dispossession, imprisonment, extermination, assimilation and suppression of truth. A deliberate and sustained abstraction of our history took place. We managed to remove all traces of a particular reality and maintained only the essentials of the history suited to our purposes. These days, ever so slowly, the reality of this history is being reconstituted.

The purpose of this exhibition is to share some significant and captivating abstract works from the collection, works representing the essence of land, forest and water. I hope I’ve created a calm and meditative space which gives room for reflection.

 

Sharon Tassicker

Collection and Exhibitions Manager

Janet Holmes a Court Collection

Jan
11
Thu
2018
Removing the Traces exhibition @ Collie Art Gallery
Jan 11 @ 10:00 am – 4:00 pm
Removing the Traces exhibition @ Collie Art Gallery | Collie | Western Australia | Australia

This exhibition presents intriguing aspects of south-west landscape from the Janet Holmes à Court Collection. The works included individually demonstrate varying degrees and methods of abstraction e.g. ultra-simplification, gestural and expressive brushwork, flattening of the picture surface and saturated colour, whilst maintaining the formal principles of line, form, shape, value, movement and composition. The real subjects recede and the aesthetics become the dominant factors.

Within this abstract landscape of the exhibition, there are interjections of reality – ‘real’ trees and wildflowers. Important that these remain in the space as reminders because it seems to me that we are busy still doing our best to remove forests and flora as fast as industry and developers can manage it. Prudent to slow down and think about the reality we’ll be left with.

Also occurring occasionally in the exhibition are demonstrations of Aboriginal longstanding presence. Removing the traces of the reality of aboriginal presence and ownership of country was pretty easy to do under the legal mandate of terra nullius. This was followed up by forced dispossession, imprisonment, extermination, assimilation and suppression of truth. A deliberate and sustained abstraction of our history took place. We managed to remove all traces of a particular reality and maintained only the essentials of the history suited to our purposes. These days, ever so slowly, the reality of this history is being reconstituted.

The purpose of this exhibition is to share some significant and captivating abstract works from the collection, works representing the essence of land, forest and water. I hope I’ve created a calm and meditative space which gives room for reflection.

 

Sharon Tassicker

Collection and Exhibitions Manager

Janet Holmes a Court Collection

Jan
12
Fri
2018
Removing the Traces exhibition @ Collie Art Gallery
Jan 12 @ 10:00 am – 4:00 pm
Removing the Traces exhibition @ Collie Art Gallery | Collie | Western Australia | Australia

This exhibition presents intriguing aspects of south-west landscape from the Janet Holmes à Court Collection. The works included individually demonstrate varying degrees and methods of abstraction e.g. ultra-simplification, gestural and expressive brushwork, flattening of the picture surface and saturated colour, whilst maintaining the formal principles of line, form, shape, value, movement and composition. The real subjects recede and the aesthetics become the dominant factors.

Within this abstract landscape of the exhibition, there are interjections of reality – ‘real’ trees and wildflowers. Important that these remain in the space as reminders because it seems to me that we are busy still doing our best to remove forests and flora as fast as industry and developers can manage it. Prudent to slow down and think about the reality we’ll be left with.

Also occurring occasionally in the exhibition are demonstrations of Aboriginal longstanding presence. Removing the traces of the reality of aboriginal presence and ownership of country was pretty easy to do under the legal mandate of terra nullius. This was followed up by forced dispossession, imprisonment, extermination, assimilation and suppression of truth. A deliberate and sustained abstraction of our history took place. We managed to remove all traces of a particular reality and maintained only the essentials of the history suited to our purposes. These days, ever so slowly, the reality of this history is being reconstituted.

The purpose of this exhibition is to share some significant and captivating abstract works from the collection, works representing the essence of land, forest and water. I hope I’ve created a calm and meditative space which gives room for reflection.

 

Sharon Tassicker

Collection and Exhibitions Manager

Janet Holmes a Court Collection